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MP3 Download Berlioz Damnation de Faust 1965 Buenos Aires Hector Berlioz LA DAMNATION DE FAUST légende dramatique en 4 parties, 1846 d'après Goethe, traduction de Gérard de Nerval version de concert Faust - Albert Lance Marguerite - Régine Crespin Méphistophélès - Gabriel Bacquier Brander/une voix - Victor de Narké La voix céleste - Tota de Igarzabal Chœurs et orchestre du Teatro Colon de Buenos Aires Direction Jean Fournet Buenos Aires, 28 mai 1965

<font color=blue>You are buying a downloadable mp3.</font color> Berlioz Damnation de Faust 1965 Buenos Aires  Hector Berlioz LA DAMNATION DE FAUST légende dramatique en 4 parties, 1846 d'après Goethe, traduction de Gérard de Nerval version de concert   Faust  - Albert Lance Marguerite  - Régine Crespin Méphistophélès  - Gabriel Bacquier Brander/une voix  - Victor de Narké La voix céleste  - Tota de Igarzabal  Chœurs et orchestre du Teatro Colon de Buenos Aires Direction Jean Fournet Buenos Aires, 28 mai 1965
You are buying a downloadable mp3. Berlioz Damnation de Faust 1965 Buenos Aires Hector Berlioz LA DAMNATION DE FAUST légende dramatique en 4 parties, 1846 d'après Goethe, traduction de Gérard de Nerval version de concert Faust - Albert Lance Marguerite - Régine Crespin Méphistophélès - Gabriel Bacquier Brander/une voix - Victor de Narké La voix céleste - Tota de Igarzabal Chœurs et orchestre du Teatro Colon de Buenos Aires Direction Jean Fournet Buenos Aires, 28 mai 1965
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MP3 Download Berlioz Damnation de Faust 1965 Buenos Aires

Hector Berlioz LA DAMNATION DE FAUST légende dramatique en 4 parties, 1846 d'après Goethe, traduction de Gérard de Nerval version de concert

Faust - Albert Lance Marguerite - Régine Crespin Méphistophélès - Gabriel Bacquier Brander/une voix - Victor de Narké La voix céleste - Tota de Igarzabal

Chœurs et orchestre du Teatro Colon de Buenos Aires Direction Jean Fournet Buenos Aires, 28 mai 1965



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USA Telephone (404) 200-4776 We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.