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You are buying a downloadable mp3. Eugene Onegin, Cotrubas, Braun, Solti, ROH 1971 Someone wanted this again, so here it is. Can't blame them, Cotrubas is the most realistic Tatyana going. From a trade at 128khps As promised here is Cotrubas' first Tatyana, sung in English and her debut in the role and at the venue. This is also important for preserving Victor Braun's legacy. He is very under rated. Tear is an unlikely but good Lensky and I prefer Solti here than to his studio recording of the opera. Sound is from a broadcast but it is not great quality, a lot of crackling a
USA Tel (404) 200-4776
MP3 Download Eugene Onegin, Cotrubas, Braun, Solti, ROH 1971
Someone wanted this again, so here it is. Can't blame them, Cotrubas is the most
realistic Tatyana going. From a trade at 128khps
As promised here is Cotrubas' first Tatyana, sung in English and her
debut in the role and at the venue. This is also important for
preserving Victor Braun's legacy. He is very under rated. Tear is an
unlikely but good Lensky and I prefer Solti here than to his studio
recording of the opera. Sound is from a broadcast but it is not great
quality, a lot of crackling a
Product Description
MP3 Download Eugene Onegin, Cotrubas, Braun, Solti, ROH 1971
Someone wanted this again, so here it is. Can't blame them, Cotrubas is the most
realistic Tatyana going. From a trade at 128khps
As promised here is Cotrubas' first Tatyana, sung in English and her
debut in the role and at the venue. This is also important for
preserving Victor Braun's legacy. He is very under rated. Tear is an
unlikely but good Lensky and I prefer Solti here than to his studio
recording of the opera. Sound is from a broadcast but it is not great
quality, a lot of crackling a
Click below to hear a sample of this recording. The product you receive will be better quality than what you see and hear below.
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USA Telephone (404) 200-4776
We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.