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MP3-1735600 Duel of the Baroque Divas - Kermes, Genaux 1.12.2014
Product Description
Carlo Francesco Pollarolo (1653-1723): Ariodante - nyitány
Giovanni Bononcini (1670-1747): Astianatte - Spera che questo cor
Georg Friedrich Händel (1685-1759): Scipione - Scoglio d'immota fronte
Attilio Ariosti (1666-1729): Lucio Vero - Vorreste, o mie pupille
G. F. Händel: Giulio Cesare - Piangerň la sorte mia
Johann Adolph Hasse (1699-1783): Dalisa - Priva del caro bene
Nicola Antonio Porpora (1686-1768): Elisa - Nobil onda
J. A. Hasse: Cleofide - Se mai piů sarň geloso (duett)
N. A. Porpora: Orfeo - nyitány Giuseppe Arena (1713-1784): La clemenza di Tito - Come potesti, oh dio Leonardo Vinci (1690-1730): Ifigenia in Tauride - L'onda chiara che dal fonte Geminiano Giacomelli (1692-1740): Scipione in Cartagine nuova - Villanella nube estiva J. A. Hasse: Issipile - Impallidisce in campo J. A. Hasse: Artaserse - Va' tra le selve ircane J. A. Hasse: Cajo Fabricio - Padre ingiusto Pietro Torri (1650-1737): Amadis - Ferma crudel… Son costretta esser crudele (duett)
Simone Kermes - soprano Vivica Genaux - mezzo Cappella Gabetta concertmaster: Andrés Gabetta
1 December 2014, Béla Bartók National Concert Hall
Click below for a preview.
N. A. Porpora: Orfeo - nyitány Giuseppe Arena (1713-1784): La clemenza di Tito - Come potesti, oh dio Leonardo Vinci (1690-1730): Ifigenia in Tauride - L'onda chiara che dal fonte Geminiano Giacomelli (1692-1740): Scipione in Cartagine nuova - Villanella nube estiva J. A. Hasse: Issipile - Impallidisce in campo J. A. Hasse: Artaserse - Va' tra le selve ircane J. A. Hasse: Cajo Fabricio - Padre ingiusto Pietro Torri (1650-1737): Amadis - Ferma crudel… Son costretta esser crudele (duett)
Simone Kermes - soprano Vivica Genaux - mezzo Cappella Gabetta concertmaster: Andrés Gabetta
1 December 2014, Béla Bartók National Concert Hall
Click below for a preview.
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USA Telephone (404) 200-4776
We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.