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MP3-1695500 Rossini : La Cenerentola. Lyon, 15 December 2017.
Product Description
Dimanche à l'Opéra. Dimanche 7 janvier 2018
La Cenerentola, à l'Opéra de Lyon
Enregistré le 15 décembre 2017, l'opéra de Rossini est dirigé par le chef Stefano Montanari
et joué par l'Orchestre et Chœurs de l'Opéra de Lyon. La mezzo-soprano Michèle Losier y
tient le rôle-titre.
Gioacchino Rossini (1792-1868) LA CENTERENTOLA, OSSIA LA BONTA IN TRIONFO Opera-bouffe en 2 Actes (1817) Lvret de Jacopo Ferretti d’après « Cendrllon », conte de Charles Perrault (1628-1703) Création : Rome, Teatro Valle, 28 janvier 1817.
Michèle Losier, mezzo-soprano Angelina sotto il nome di Cenerentola Cyrille Dubois, tenor Don Ramiro, Principe di Salerno Nikolay Borchev, baryton Dandini, suo cameriere Renato Girolami, basse Don Magnifico, Barone di Monte Fiascono Simone Alberghini, baryton Alidoro, filosofo, maestro di Don Ramiro Clara Meloni, soprano Clorinda, figlia di Don Magnifico Katherine Aitken, mezzo-soprano Tisbe, figlia di Don Magnifico
Orchestre et Chœurs de l'Opéra de Lyon Stefano Montanari, Direction musicale
Click below for a preview.
Gioacchino Rossini (1792-1868) LA CENTERENTOLA, OSSIA LA BONTA IN TRIONFO Opera-bouffe en 2 Actes (1817) Lvret de Jacopo Ferretti d’après « Cendrllon », conte de Charles Perrault (1628-1703) Création : Rome, Teatro Valle, 28 janvier 1817.
Michèle Losier, mezzo-soprano Angelina sotto il nome di Cenerentola Cyrille Dubois, tenor Don Ramiro, Principe di Salerno Nikolay Borchev, baryton Dandini, suo cameriere Renato Girolami, basse Don Magnifico, Barone di Monte Fiascono Simone Alberghini, baryton Alidoro, filosofo, maestro di Don Ramiro Clara Meloni, soprano Clorinda, figlia di Don Magnifico Katherine Aitken, mezzo-soprano Tisbe, figlia di Don Magnifico
Orchestre et Chœurs de l'Opéra de Lyon Stefano Montanari, Direction musicale
Click below for a preview.
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USA Telephone (404) 200-4776
We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.