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MP3-1695400 Rossini : Il Barbiere di Siviglia. Paris, 16 December 2017.
Product Description
Dimanche à l'Opéra. Dimanche 31 décembre 2017
Le Barbier de Séville, au Théâtre des Champs-Elysées
Opéra de Gioacchino Rossini enregistré le 16 décembre 2017.
Gioacchino Rossini (1792-1869) IL BARBIERE DI SIVIGLIA, OSSIA L'INUTILE PRECAUZIONE Opera bouffe en 2 Actes (1816) Livret de Cesare Sterbini d’après la comédie « Le Barbier de Séville ou la Précaution inutile » (1775) de Beaumarchais (1732-1799),
Michele Angelini, tenor Il Conte Almaviva Florian Sempey, baryton Figaro Catherine Trottmann, soprano Rosina Peter Kálmán, basse Bartolo Robert Gleadow, basse Basilio Annunziata Vestri, soprano Berta Guillaume Andrieux, tenor Fiorello
Chœur Unikanti (Gaël Darchen, chef de chœur) Le Cercle de l’Harmonie Jérémie Rhorer, direction musicale
Laurent Pelly, mise en scène, scénographie, costumes Cléo Laigret, scénographe associé Jean-Jacques Delmotte, costumier associé Joël Adam, lumières
Broadcast : France Musique, Sunday 31 December 2017.
Click below for a preview.
Gioacchino Rossini (1792-1869) IL BARBIERE DI SIVIGLIA, OSSIA L'INUTILE PRECAUZIONE Opera bouffe en 2 Actes (1816) Livret de Cesare Sterbini d’après la comédie « Le Barbier de Séville ou la Précaution inutile » (1775) de Beaumarchais (1732-1799),
Michele Angelini, tenor Il Conte Almaviva Florian Sempey, baryton Figaro Catherine Trottmann, soprano Rosina Peter Kálmán, basse Bartolo Robert Gleadow, basse Basilio Annunziata Vestri, soprano Berta Guillaume Andrieux, tenor Fiorello
Chœur Unikanti (Gaël Darchen, chef de chœur) Le Cercle de l’Harmonie Jérémie Rhorer, direction musicale
Laurent Pelly, mise en scène, scénographie, costumes Cléo Laigret, scénographe associé Jean-Jacques Delmotte, costumier associé Joël Adam, lumières
Broadcast : France Musique, Sunday 31 December 2017.
Click below for a preview.
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We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.