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MP3-1090200 Concert Elizabeth Watts, soprano - Milton Court, London 2014
Product Description
MP3-1090200 Concert Elizabeth Watts, soprano - Milton Court, London 2014
Concert Elizabeth Watts, soprano
The English Concert, directed by Laurence Cummings, is joined by soprano Elizabeth Watts to perform a
selection of arias by Alessandro Scarlatti.
A. Scarlatti: Arias. Se geloso è il mio core (Endimione e Cintia) Ergiti, Amor (Scipione nelle Spagne) Sussurrando il venticello (Tigrane) Figlio! Tiranno! (Griselda) Qui, dove al germogliar (Erminia)
Interval
A. Scarlatti: Arias. Con voce festiva Nacque, col Gran Messia (Non so qual più m'ingombra) Ombre opache (Correa nel seno amato) Mentre io godo in dolce oblio (La Santissima Vergine del Rosario) D'Amor l'accesa face (Venere, Amore e Ragione) Overture and arias Cara tomba; Esci omai (Mitridate Eupatore) Cantata - A battaglia, pensieri
Elizabeth Watts (soprano) The English Concert Laurence Cummings (harpsichord/director)
Live from Milton Court, London Novemver 9, 2014
CLICK BELOW FOR AN AUDIO PREVIEW
Concert Elizabeth Watts, soprano
The English Concert, directed by Laurence Cummings, is joined by soprano Elizabeth Watts to perform a
selection of arias by Alessandro Scarlatti.
A. Scarlatti: Arias. Se geloso è il mio core (Endimione e Cintia) Ergiti, Amor (Scipione nelle Spagne) Sussurrando il venticello (Tigrane) Figlio! Tiranno! (Griselda) Qui, dove al germogliar (Erminia)
Interval
A. Scarlatti: Arias. Con voce festiva Nacque, col Gran Messia (Non so qual più m'ingombra) Ombre opache (Correa nel seno amato) Mentre io godo in dolce oblio (La Santissima Vergine del Rosario) D'Amor l'accesa face (Venere, Amore e Ragione) Overture and arias Cara tomba; Esci omai (Mitridate Eupatore) Cantata - A battaglia, pensieri
Elizabeth Watts (soprano) The English Concert Laurence Cummings (harpsichord/director)
Live from Milton Court, London Novemver 9, 2014
CLICK BELOW FOR AN AUDIO PREVIEW
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USA Telephone (404) 200-4776
We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.